| Da Capo | ||||
|---|---|---|---|---|
| Studio album by Love | ||||
| Released | January 1967 | |||
| Recorded | September 27 - October 2, 1966 | |||
| Genre | Psychedelic rock | |||
| Length | 35:54 | |||
| Label | Elektra, Rhino | |||
| Producer | Paul Rothchild | |||
| Love chronology | ||||
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| Professional ratings | |
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| Review scores | |
| Source | Rating |
| Allmusic | [1] |
Da Capo is the second album by American rock group Love, released in January 1967 by Elektra Records. The bulk of Da Capo was recorded between September 27 and October 2, 1966. "7 and 7 Is" was recorded on June 20, and had been released as a single in July 1966 backed with "No. Fourteen", an outtake from their debut album. After the recording of "7 and 7 Is", Love's line-up expanded to include Michael Stuart on drums and Tjay Cantrelli on saxophone and flute, moving previous drummer Alban "Snoopy" Pfisterer, a classically trained pianist, to harpsichord and organ. Guitarists Johnny Echols and Bryan MacLean, bassist Ken Forssi and vocalist and leader Arthur Lee retained their respective positions.
The album's first half is a departure from the group's debut, and in some ways anticipates the group's third album, Forever Changes, with its detailed, delicate arrangements. Abrasive, proto-punk rockers like "7 and 7 Is" and the harpsichord-driven "Stephanie Knows Who" are balanced by lighter fare such as MacLean's florid "Orange Skies", and playful, barely classifiable pop tunes like "¡Que Vida!".
The album's second half is a single track, notable for being among the very first rock songs to take up an entire LP side (Bob Dylan's "Sad Eyed Lady of the Lowlands" from Blonde on Blonde predated it by a few months, and Frank Zappa's "The Return of the Son of Monster Magnet" suite, on the Freak Out! album, followed Dylan's by just over a month). The 19-minute jam, entitled "Revelation" began life as a live showcase for the group. Some sources claim it evolved out of their interpretation of Howlin' Wolf's "Smokestack Lightning", yet its original title was "John Lee Hooker." The song/jam bears a resemblance to the Rolling Stones' "Goin' Home," recorded at the same studio (RCA) and released earlier in the year, on Aftermath. Arthur Lee is quoted on the back cover of Rhino's 1980 LP compilation "Best of Love":
The song "Revelation" was a long jam we did so the musicians could express themselves. The Rolling Stones saw us play at the Brave New World, and they recorded a long song on their next album. After our album came out, I got the blame for copying them!
The album's critical reputation has suffered as a result of the inclusion of this track, and many blame producer Paul Rothchild for failing to capture the group's live energy and truncating their performance. It is interesting to note, though, that in a contemporary review of the album, critic Robert Christgau praised "Revelation" faintly for its "excellent guitar and harmonica work and great screaming by a lead singer (I don't know his name; the new style in record jackets is to reveal nothing)".[2]
Though "7 and 7 Is" had been a minor hit for the group, the album, like its predecessor, was a comparative flop peaking at #80.
Contents |
All tracks composed by Arthur Lee; except where indicated
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